Foliate Mask in Vernacular Material Culture from Medieval to Modern Norway

Karen V Lykke, Ane Ohrvik
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Abstract

In this article, we explore the contexts and appearances of what we argue is a Norwegian version of the Green Man – the Glibb – in vernacular settings. We also discuss the figure’s possible meanings in Norwegian secular culture. Most of the objects are part of the digital artifact collection called DigitaltMuseum (Digital Museum), which is a common database for Norwegian and Swedish museums and collections. Our collection and analysis of this material provides an initial step toward documenting the figure’s appearances and uses beyond the ecclesial material culture; however, it does not represent an exhaustive list of sources. We investigate the appearance of this particular ‘Green Man’ figure, discussing its material form and iconographical features and analysing its placement and occurrence. We argue that the Glibb’s ambiguous and flexible imagery is also a flexible symbol. Over the centuries, such symbols can enter into new constellations and interpretations of meaning with is new generation that continues to use their material forms.
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中世纪至现代挪威乡土物质文化中的叶状面具
在这篇文章中,我们探讨了我们所说的挪威版“绿人”(Glibb)在当地环境中的背景和外观。我们还讨论了这个人物在挪威世俗文化中的可能意义。大多数物品都是名为DigitalMuseum(数字博物馆)的数字文物收藏的一部分,这是挪威和瑞典博物馆和藏品的通用数据库。我们对这些材料的收集和分析为记录人物在教会物质文化之外的外表和用途迈出了第一步;然而,它并不代表一份详尽的来源清单。我们调查了这个特殊的“绿人”形象的外观,讨论了它的物质形式和图像特征,并分析了它的位置和发生。我们认为格利布模糊而灵活的意象也是一种灵活的象征。几个世纪以来,这些符号可以进入新的星座,并与继续使用其物质形式的新一代一起解释意义。
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CiteScore
1.00
自引率
0.00%
发文量
30
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