{"title":"Il disegno come teoria","authors":"F. Purini","doi":"10.4000/estetica.5452","DOIUrl":null,"url":null,"abstract":"The paper combines a question about the architectural design project with the topics of future and utopia, through a series of drawings made all along the author’s career. The aim is to show how the architectural drawing can be considered as a theory, about how things could be, rather than a mere technical device.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rivista di Estetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/estetica.5452","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
The paper combines a question about the architectural design project with the topics of future and utopia, through a series of drawings made all along the author’s career. The aim is to show how the architectural drawing can be considered as a theory, about how things could be, rather than a mere technical device.
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