{"title":"Partners or Predators? A Corpus-Based Study of China’s Image in South African Media","authors":"Changpeng Huan, Menghan Deng","doi":"10.1080/23743670.2021.1913428","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article sets out to investigate the image of China in South Africa’s mainstream English-language newspapers in the context of changing dynamics of Sino-SA bilateral relations, and their respective growing ambitions. To do so, this research adopts a corpus-based method to examine discursive mechanism through which China is represented in South African media. Corpus findings transcend the traditional and often oversimplified dichotomy of partner or predator, and recognise the complexities, contradictions, and changing dynamics of Sino-SA relation. Despite increasingly converging visions on matters of continental and global import, chief challenges faced by these two countries are contested interests over issues of BRICS versus African Agenda, weak bilateral political and public trust, and responsible versus irresponsible China. The findings are discussed in relation to China’s pursuit of soft power and SA’s geopolitical ambitions.","PeriodicalId":54049,"journal":{"name":"African Journalism Studies","volume":"42 1","pages":"34 - 50"},"PeriodicalIF":1.1000,"publicationDate":"2021-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/23743670.2021.1913428","citationCount":"6","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African Journalism Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/23743670.2021.1913428","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 6
Abstract
ABSTRACT This article sets out to investigate the image of China in South Africa’s mainstream English-language newspapers in the context of changing dynamics of Sino-SA bilateral relations, and their respective growing ambitions. To do so, this research adopts a corpus-based method to examine discursive mechanism through which China is represented in South African media. Corpus findings transcend the traditional and often oversimplified dichotomy of partner or predator, and recognise the complexities, contradictions, and changing dynamics of Sino-SA relation. Despite increasingly converging visions on matters of continental and global import, chief challenges faced by these two countries are contested interests over issues of BRICS versus African Agenda, weak bilateral political and public trust, and responsible versus irresponsible China. The findings are discussed in relation to China’s pursuit of soft power and SA’s geopolitical ambitions.
期刊介绍:
Accredited by the South African Department of Higher Education and Training for university research purposes African Journalism Studies subscribes to the Code of Best Practice for Peer Reviewed Scholarly Journals of the Academy of Science of South Africa. African Journalism Studies ( AJS) aims to contribute to the ongoing extension of the theories, methodologies and empirical data to under-researched areas of knowledge production, through its emphasis on African journalism studies within a broader, comparative perspective of the Global South. AJS strives for theoretical diversity and methodological inclusivity, by developing theoretical approaches and making critical interventions in global scholarly debates. The journal''s comparative and interdisciplinary approach is informed by the related fields of cultural and media studies, communication studies, African studies, politics, and sociology. The field of journalism studies is understood broadly, as including the practices, norms, value systems, frameworks of representation, audiences, platforms, industries, theories and power relations that relate to the production, consumption and study of journalism. A wide definition of journalism is used, which extends beyond news and current affairs to include digital and social media, documentary film and narrative non-fiction.