{"title":"The unsolicited rocket: a story of science, technology, and future wars","authors":"M. Andersen, Erik Reichborn-Kjennerud","doi":"10.1080/23337486.2022.2081301","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article investigates the puzzling case of the unsolicited rocket: a Norwegian research establishment successfully developed a weapon system that no one wanted or had asked for that was later widely adopted. We argue that the ‘Terne’ weapon existed not because it was needed based on rational calculations about efficiency, but because of the narratives, coalitions, and competitive dynamics that surrounded it and made it useful. Conventionally, war and technology are often considered distinct ‘things’ with immutable essences, used as variables to explain other phenomena, rather than being examined on their own terms. In this case, we focus empirically on the configuration of sociotechnical imaginaries, and the capacities for action that arise out of it. In foregrounding sociotechnical systems, this is not a case of the ‘militarization’ of civilian society and research in peacetime. Rather, agency lay in competitive networks of narratives and coalitions between technologies, individuals, professions, technological communities, military organizations, and funding bodies, together shaping how ideas and technologies become authoritative and dominant.","PeriodicalId":37527,"journal":{"name":"Critical Military Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Military Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23337486.2022.2081301","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This article investigates the puzzling case of the unsolicited rocket: a Norwegian research establishment successfully developed a weapon system that no one wanted or had asked for that was later widely adopted. We argue that the ‘Terne’ weapon existed not because it was needed based on rational calculations about efficiency, but because of the narratives, coalitions, and competitive dynamics that surrounded it and made it useful. Conventionally, war and technology are often considered distinct ‘things’ with immutable essences, used as variables to explain other phenomena, rather than being examined on their own terms. In this case, we focus empirically on the configuration of sociotechnical imaginaries, and the capacities for action that arise out of it. In foregrounding sociotechnical systems, this is not a case of the ‘militarization’ of civilian society and research in peacetime. Rather, agency lay in competitive networks of narratives and coalitions between technologies, individuals, professions, technological communities, military organizations, and funding bodies, together shaping how ideas and technologies become authoritative and dominant.
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.