Piazza Armerina. The So-Called Personifications of Mauretania and India at Each End of the Great Hunt Portico

IF 0.3 0 ARCHAEOLOGY Journal of Mosaic Research Pub Date : 2022-11-30 DOI:10.26658/jmr.1143761
B. Steger
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Abstract

What is the meaning of the images in the apses on the Great Hunt Corridor? Are the personifications in the center of the two mosaics alluding to geographical entities, as has been the case put forward so far? If so, this begs the question “which ones?”. The analysis of each pavement is followed up by a short round-up and discussion of current hypotheses. By taking support from a set of iconographical and textual parallels, we have sought to achieve a better understanding of these images. Lastly, we provide some insights to show how these mosaics fit into the decorative program of the Great Hunt corridor to which they pertain.
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阿尔梅里纳广场。《大狩猎》两端所谓的毛里塔尼亚和印度人物
大狩猎走廊后堂中的图像是什么意思?两幅马赛克中心的拟人化是否像迄今为止提出的那样暗指地理实体?如果是这样的话,这就引出了一个问题:“哪一个?”。在对每种路面进行分析之后,对当前的假设进行了简短的总结和讨论。通过从一组图像和文本的相似性中获得支持,我们试图更好地理解这些图像。最后,我们提供了一些见解来展示这些马赛克是如何融入大狩猎走廊的装饰程序的。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
6 weeks
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