{"title":"The Ambivalent Treatment of Counter-cultural Identity in the \"Outlaw Biker\" Film, 1966-72","authors":"Ben Medeiros","doi":"10.1353/flm.2019.0014","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"49 1","pages":"39 - 49"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/flm.2019.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
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