También la lluvia y Altiplano: Trauma transgeneracional y renegociación histórica en un contexto transcultural

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2022-05-25 DOI:10.7560/slapc4005
Lucía Garavito
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Abstract

Abstract:The films Even the Rain, directed by Icíar Bollaín (Spain) in 2010, and Altiplano (2009), directed by Peter Brosens (Belgium) and Jessica Woodworth (United States), fuse past and present in the context of the Europe-America encounter. While the first film is framed by the Water War in Cochabamba, Bolivia (1999–2000), the second has as referent the ecological catastrophe that took place in Choropampa, Peru (2000). Patterns of neocolonial exploitation bring to the foreground the collective memory of communities haunted by traumatic events that shaped their historical destiny. Perpetrators and victims must question and reevaluate their respective legacies within a transgenerational and transcultural context in order to work through those shared experiences together and explore new approaches to heal their devastating past. Metafictional elements, intertwined and fragmented stories, flashbacks, and ritual play a structural role in generating haunting cultural narratives that lead disempowered communities to recover their own historical agency.
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还有雨水和高原:跨代创伤和跨文化背景下的历史重新谈判
摘要:2010年由Icíar Bollaín(西班牙)执导的电影《即使是雨》和2009年由Peter Brosens(比利时)和Jessica Woodworth(美国)执导的《Altiplano》将过去和现在融合在欧美相遇的背景下。虽然第一部电影是以玻利维亚科恰班巴的水战争(1999-2000年)为背景的,但第二部电影则提到了秘鲁乔罗帕发生的生态灾难(2000年)。新殖民主义剥削模式将那些被塑造其历史命运的创伤事件所困扰的社区的集体记忆带到了前台。犯罪者和受害者必须在跨性别和跨文化的背景下质疑和重新评估他们各自的遗产,以便共同度过这些共同的经历,并探索新的方法来治愈他们毁灭性的过去。元虚构元素、交织和碎片化的故事、倒叙和仪式在产生令人难忘的文化叙事方面发挥着结构性作用,这些叙事导致失去权力的社区恢复自己的历史机构。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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