Citizenship in Between. Looking for Methods to Visual Studies in Spanish Guinea during the Francoist Dictatorship

Q4 Arts and Humanities Art in Translation Pub Date : 2020-04-02 DOI:10.1080/17561310.2020.1828729
I. Camps
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引用次数: 0

Abstract

Abstract Citizenship studies have been consolidated as a field of analysis since the 1950s, although debates about the conditions of citizenship status can be traced to earlier times. In this article I discuss how different notions of citizenship may be usefully applied to visual studies for thinking about colonialism and its legacies through the photographic image. Considering the photographic production relating to the final ten years of Spain’s colonial rule of Equatorial Guinea —from its conversion into a province (1958) until its independence (1968)—the article proposes citizenship as a key concept for a political analysis of images in which white Europeans and black Africans interact or which make racial segregation visible.
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介于两者之间的公民身份。寻找法语独裁时期西语几内亚视觉研究的方法
自20世纪50年代以来,公民身份研究已经被巩固为一个分析领域,尽管关于公民身份条件的争论可以追溯到更早的时代。在这篇文章中,我讨论了不同的公民概念如何有效地应用于视觉研究,通过摄影图像思考殖民主义及其遗产。考虑到赤道几内亚在西班牙殖民统治的最后十年——从1958年转为一个省到1968年独立——的摄影作品,文章提出公民身份是对欧洲白人和非洲黑人互动或使种族隔离可见的图像进行政治分析的关键概念。
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
16
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