{"title":"A pacifist critique of the red poppy: reflections on British war commemorations’ increasingly hegemonic militarism","authors":"Alexandre Christoyannopoulos","doi":"10.1080/23337486.2021.2014237","DOIUrl":null,"url":null,"abstract":"ABSTRACT The red or ‘Flanders’ poppy has become the ubiquitous emblem of British war commemorations, yet it is also becoming more hegemonic and militaristic: the poppy’s meaning has always been contested, but its dominant interpretation has become increasingly intolerant. Building on literature on the poppy and war commemorations, on pacifist approaches to security studies and on militarism, this article sketches a pacifist critique of the poppy’s increasingly hegemonic militarism. It starts by sketching out a history of the poppy’s contested meaning. A first-order critique then reflects on the hegemonic poppy narrative’s internal dissonances, on the selective memory which it reveals, and on the blinkered horizon of compassion and identification which it promotes. A second-order critique exposes the broader political and ethical consequences including for the military-industrial-entertainment complex, for liberal institutionalist projects, and for veterans. The final section reflects on the resulting unease that can be triggered by the poppy’s hegemonizing function in British civil religion and calls for poppy commemorations to better accommodate deeper reflections on the causes of war, militarism, and the potentially complicit role played by war commemorations.","PeriodicalId":37527,"journal":{"name":"Critical Military Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Military Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23337486.2021.2014237","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 5
Abstract
ABSTRACT The red or ‘Flanders’ poppy has become the ubiquitous emblem of British war commemorations, yet it is also becoming more hegemonic and militaristic: the poppy’s meaning has always been contested, but its dominant interpretation has become increasingly intolerant. Building on literature on the poppy and war commemorations, on pacifist approaches to security studies and on militarism, this article sketches a pacifist critique of the poppy’s increasingly hegemonic militarism. It starts by sketching out a history of the poppy’s contested meaning. A first-order critique then reflects on the hegemonic poppy narrative’s internal dissonances, on the selective memory which it reveals, and on the blinkered horizon of compassion and identification which it promotes. A second-order critique exposes the broader political and ethical consequences including for the military-industrial-entertainment complex, for liberal institutionalist projects, and for veterans. The final section reflects on the resulting unease that can be triggered by the poppy’s hegemonizing function in British civil religion and calls for poppy commemorations to better accommodate deeper reflections on the causes of war, militarism, and the potentially complicit role played by war commemorations.
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.