“I come from a country that is no more”

IF 0.1 Q4 ANTHROPOLOGY Ethnologies Pub Date : 2018-09-27 DOI:10.7202/1051663AR
D. Miccoli
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Abstract

Based upon a corpus of literary texts by Jewish authors born, or descendants of families that lived in North Africa and Egypt and that in the 1950s and 1960s migrated to Israel, France or Italy, the essay looks at nostalgia as a foundational trope in the Mediterranean Jewish historical imagination. Nostalgia is analyzed as a literary chronotope, that allows these writers to come to terms with a complex and ambivalent past while, at the same time, reflecting upon its repercussions on the postcolonial present and future. What comes out is an original archive of memories travelling across the Mediterranean, that while shedding light on the ruptures and continuities between colonial and postcolonial times, reflects on the possibilities of coexistence and reconciliation – or, on the other hand, on the cleavages – that still exist between Jews and Arabs, Europe and North Africa, the Diaspora and Israel.
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“我来自一个不再存在的国家”
这篇文章基于出生于北非和埃及的犹太作家或其后代的文学文本语料库,这些作家在20世纪50年代和60年代移民到以色列、法国或意大利,将怀旧视为地中海犹太历史想象中的一个基本比喻。怀旧被分析为一个文学时间点,使这些作家能够接受复杂而矛盾的过去,同时反思它对后殖民时代的现在和未来的影响。这是一份穿越地中海的原始记忆档案,在揭示殖民时代和后殖民时代之间的断裂和持续的同时,也反映了犹太人和阿拉伯人、欧洲和北非、散居者和以色列之间仍然存在的共存与和解的可能性,或者说,另一方面,反映了分裂。
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Ethnologies
Ethnologies ANTHROPOLOGY-
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