Islamic transformations in the periphery of Maluku, Indonesia

IF 0.7 3区 社会学 0 ASIAN STUDIES Indonesia and the Malay World Pub Date : 2019-04-11 DOI:10.1080/13639811.2019.1583428
T. Kaartinen
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引用次数: 2

Abstract

ABSTRACT The article explores Islam as an element of the social and symbolic formations created in the context of long-distance trade relations in the Aru and the Kei islands of southeast Maluku. The Muslim migrants and traders who settled in the area in the early colonial period created places that served as entry points to the local, autochthonous society. Even as these sites allowed Muslims to control access to local cultural domains, they allured local people with possible access to trade wealth and mobility. By creating conceptual and tangible boundaries around the indigenous domain, early Islam anticipated the contrast between universally valid religious convictions and materially embedded cultural forms. This contrast became significant after the large-scale conversions to Christianity and Islam in the late colonial period. Islam was also transformed by its interaction with various cosmopolitan discourses, but it has remained more accommodating than Christianity towards socially embedded ritual practices and material symbols. This raises the question whether ‘cultural Islam’ should be defined by its neutral, apolitical attitude towards the secular state which is complicated by the fact that the culturally embedded Islam in Maluku took form in the absence of centralised state power.
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印尼马鲁古周边地区的伊斯兰教转型
本文探讨了在马鲁古群岛东南部的阿鲁和基岛的长途贸易关系背景下,伊斯兰教作为社会和象征形态的一个元素。在早期殖民时期定居在该地区的穆斯林移民和商人创造了一些地方,作为进入当地土著社会的入口。即使这些网站允许穆斯林控制进入当地文化领域的途径,它们也以可能获得贸易、财富和流动性的途径吸引当地人。通过在土著领地周围建立概念上和有形的界限,早期的伊斯兰教预见到普遍有效的宗教信仰和物质上根深蒂固的文化形式之间的对比。这种对比在殖民后期大规模皈依基督教和伊斯兰教后变得显著。伊斯兰教也因其与各种世界主义话语的互动而发生了变化,但它比基督教更容易接受社会嵌入的仪式实践和物质象征。这就提出了一个问题,即“文化伊斯兰”是否应该以其对世俗国家的中立、非政治态度来定义,这一问题因马鲁古文化中根深蒂固的伊斯兰教是在缺乏中央集权的国家权力的情况下形成的这一事实而变得复杂。
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来源期刊
CiteScore
2.00
自引率
0.00%
发文量
17
期刊介绍: Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.
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