Reading Graphic Design History: Image, Text, and Content

IF 0.7 3区 艺术学 0 ART Design and Culture Pub Date : 2021-09-02 DOI:10.1080/17547075.2021.1973786
Breuna K. Baine
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Abstract

In his final book, Reading Graphic Design History: Image, Text, and Context, design historian David Raizman provides in-depth analyses of seven pieces of graphic design within their historical context. They include work by a US political cartoonist, a seventeenth-century typophile, and several well-known twentieth-century designers. Raizman scrutinizes the reasons each man began his project and the commercial success of each piece, weighing whether the pieces reached their intended audiences. As part of that discussion, he gives background on the clients, the advertising/design problem that needed to be solved, and the social, cultural, and historical ideas that influenced the maker. Because the works were of personal interest to Raizman during the many years he taught graphic design history at Drexel University, the chapters do not have continuity based on theme, medium, or era (though all his subjects are men from Europe or the United States). What unites the essays is Raizman’s attention to each work’s stylistic and technical considerations and his effort to expose ideas such as the Breuna K. Baine is Associate Professor of Fine Arts at Auburn University Montgomery, Montgomery, AL, USA. bbaine@aum.edu © 2019 Breuna K. Baine DOI: 10.1080/17547075.2021.1973786
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阅读平面设计历史:图像,文本和内容
在他的最后一本书《阅读平面设计历史:图像、文本和背景》中,设计历史学家David Raizman对七个平面设计作品在其历史背景下进行了深入分析。其中包括一位美国政治漫画家、一位17世纪的打字员和几位著名的20世纪设计师的作品。雷兹曼仔细研究了每个人开始他的项目的原因,以及每件作品的商业成功,权衡这些作品是否达到了他们的目标受众。作为讨论的一部分,他介绍了客户的背景,需要解决的广告/设计问题,以及影响制作者的社会、文化和历史思想。因为这些作品是Raizman多年来在德雷塞尔大学教授平面设计历史的个人兴趣,所以章节没有基于主题,媒介或时代的连续性(尽管他所有的主题都是来自欧洲或美国的人)。将这些文章联系在一起的是Raizman对每件作品的风格和技术考虑的关注,以及他揭示思想的努力,比如Breuna K. Baine是美国阿拉巴马州蒙哥马利奥本大学美术副教授。bbaine@aum.edu©2019 Breuna K. Baine DOI: 10.1080/17547075.2021.1973786
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
34
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