M. George, Camille Quamina, Honor Ford-Smith, J. Allen-Paisant
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引用次数: 0
Abstract
The following is a transcript of a roundtable discussion between Camille Quamina, Senior Lecturer in the School of Drama at the Edna Manley College of the Visual and Performing Arts, Kingston, Jamaica; Marvin George, Dean of the School of Drama at the Edna Manley College; Honor Ford-Smith, Associate Professor of Cultural and Artistic Practices for Environmental and Social Justice at York University in Toronto, Canada; and Jason Allen-Paisant, Associate Professor of Aesthetic Theory and Decolonial Thought at the University of Leeds. It took place online on April 26, 2021. The topic of discussion was the use of rituals in Quamina’s and George’s theatre practices. Additionally, in speaking about the function of festivals, rituals, and everyday performance in Caribbean life, we opened up a discussion about how to define Blackness in the Caribbean context, and about whether there were several such definitions, since we felt that this was significant in framing the notion of Black Caribbean futures.
期刊介绍:
Founded in 1995, parallax has established an international reputation for bringing together outstanding new work in cultural studies, critical theory and philosophy. parallax publishes themed issues that aim to provoke exploratory, interdisciplinary thinking and response. Each issue of parallax provides a forum for a wide spectrum of perspectives on a topical question or concern. parallax will be of interest to those working in cultural studies, critical theory, cultural history, philosophy, gender studies, queer theory, post-colonial theory, English and comparative literature, aesthetics, art history and visual cultures.