The archipelago of meaning: Methodological contributions to the study of Vanuatu sand drawing

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Australian Journal of Anthropology Pub Date : 2022-08-04 DOI:10.1111/taja.12428
Simon Devylder
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引用次数: 1

Abstract

Vanuatu sand drawing has been listed by UNESCO since 2006 and has both fascinated and puzzled researchers from various disciplines for over a century. The inherent multi-dimensionality of the practice makes analysis complex, and until very recently developing a systematic methodology to study this intangible art form was difficult. This paper aims to contribute to filling this gap with the analysis of a corpus of sand drawings documented on the island of Paama in 2019. A detailed methodological toolkit is proposed to better understand the complex morphology of the drawings and their multi-layered meaning and function. This paper offers the first few steps along a journey toward designing integrated comparative methods of analysis that can not only potentiate unprecedented insights into the cultural practice of Vanuatu sand drawing, but also more broadly help us understand how worldviews, beliefs and societal structures spread across time and space.

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意义群岛:瓦努阿图抽沙研究的方法学贡献
自2006年以来,瓦努阿图的沙画被联合国教科文组织列入名录,一个多世纪以来,各个学科的研究人员既着迷又困惑。这种做法固有的多维性使得分析变得复杂,直到最近才发展出一种系统的方法来研究这种无形的艺术形式是困难的。本文旨在通过对2019年在巴哈马岛记录的沙图语料的分析来填补这一空白。提出了一个详细的方法工具包,以更好地理解图纸的复杂形态及其多层次的意义和功能。本文提供了设计综合比较分析方法的第一步,这不仅可以使我们对瓦努阿图沙画的文化实践有前所未有的了解,而且还可以更广泛地帮助我们理解世界观、信仰和社会结构是如何跨越时间和空间传播的。
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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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