{"title":"En otro reino extraño or, Lope de Vega and the Digital Stage","authors":"E. Fernández","doi":"10.1080/08831157.2021.2017240","DOIUrl":null,"url":null,"abstract":"Abstract As a result of the global pandemic, in the spring of 2020 Madrid experienced a restrictive confinement for over three months. While theaters were forced to close, such measures did not put a stop to cultural initiatives in the city. From May through June, the Compañía Nacional de Teatro Clásico (CNTC) developed a pioneering audiovisual piece, En otro reino extraño, built around different texts about love by Lope de Vega (1562–1635). Carrying out this creative endeavor remotely, director David Boceta ushers actors and audience members into a state of disquieting liminality, a no man’s land straddling utopia and dystopia. The piece succeeds in fostering a communal and self-supportive dialogue around the meaning of love but, at the same time, leads performers and spectators to reassess our understanding of the classics when theater was plunged into survival mode.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"69 1","pages":"73 - 82"},"PeriodicalIF":0.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ROMANCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08831157.2021.2017240","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract As a result of the global pandemic, in the spring of 2020 Madrid experienced a restrictive confinement for over three months. While theaters were forced to close, such measures did not put a stop to cultural initiatives in the city. From May through June, the Compañía Nacional de Teatro Clásico (CNTC) developed a pioneering audiovisual piece, En otro reino extraño, built around different texts about love by Lope de Vega (1562–1635). Carrying out this creative endeavor remotely, director David Boceta ushers actors and audience members into a state of disquieting liminality, a no man’s land straddling utopia and dystopia. The piece succeeds in fostering a communal and self-supportive dialogue around the meaning of love but, at the same time, leads performers and spectators to reassess our understanding of the classics when theater was plunged into survival mode.
摘要由于全球疫情,2020年春天,马德里经历了三个多月的限制性禁闭。虽然剧院被迫关闭,但这些措施并没有阻止该市的文化活动。从5月到6月,国家歌剧院(CNTC)围绕洛佩·德·维加(1562-1635)关于爱的不同文本,开发了一部开创性的视听作品《En otro reino extraño》。导演大卫·博切塔远程进行这项创作,将演员和观众带入一种令人不安的边缘状态,一个横跨乌托邦和反乌托邦的无人区。这部作品成功地围绕爱的意义展开了一场集体的、自我支持的对话,但同时,当剧院陷入生存模式时,它也引导表演者和观众重新评估我们对经典的理解。
期刊介绍:
Lorca and Baudelaire, Chrétien de Troyes and Borges. The articles in Romance Quarterly provide insight into classic and contemporary works of literature originating in the Romance languages. The journal publishes historical and interpretative articles primarily on French and Spanish literature but also on Catalan, Italian, Portuguese, and Brazilian literature. RQ contains critical essays and book reviews, mostly in English but also in Romance languages, by scholars from universities all over the world. Romance Quarterly belongs in every department and library of Romance languages.