Flipping the Script on Colonial Narratives: Replicating Roman Reliefs from the Antonine Wall

Abstract

Our understanding of the Roman presence in Scotland during the second century has traditionally been viewed through a Roman lens, influenced by the fragmentary, non-contemporaneous, and heavily biased accounts of Roman historiographers. Perceived wisdom has perpetuated this through embedded colonial language referring to indigenous occupants of the region and in the way that colonial objects are presented in museums. The welcome paradigm shift from Romanization to postcolonial discourses provides fertile ground for challenging Romanocentric narratives when (re)considering the materiality of Empire, particularly from frontier contexts. Replicas are an integral component of this narrative with power to express multiplicities of meanings and engage audiences in new and creative ways. These aspects are explored through newly carved sandstone replicas of Antonine Wall Distance Sculptures, including one inspired by the originals but presenting an alternative, provocative narrative from the perspective of Iron Age occupants of the region who came into conflict with Rome.