{"title":"Tempo, escala, tiempos: el relato de larga duración de Tamara Kamenszain","authors":"Sandra Contreras","doi":"10.19137/anclajes-2022-2613","DOIUrl":null,"url":null,"abstract":": The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anclajes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/anclajes-2022-2613","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
: The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this
:《La novera de La poesía》(2012)版已经在塔玛拉·卡门扎因的作品中提出了两个有趣的重要问题:一方面,段落诗歌/小说/散文的具体铭文;另一方面,将书籍(版本、支持、对象)作为链接。最近,El libro de Tamar(2018)和Libros chiquitos(2020)以一种特殊的方式阐述了这一过程的另外两个组成方面:一是70年代的节目和现在的写作之间的时间螺旋,这将该系列转化为长时间的叙事;二是尺度形式的极限问题。在这个