Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series

IF 0.2 3区 文学 N/A LITERATURE Contemporary Womens Writing Pub Date : 2019-12-31 DOI:10.1093/cww/vpaa003
Paloma Fresno-Calleja
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引用次数: 1

Abstract

This article focuses on Scarlet Lies (2015), Scarlet Secrets (2015), and Scarlet Redemption (2019), the popular romance series by Samoan writer Lani Wendt Young. The novels deploy the recognizable chick-lit formula to narrate the predicaments and romantic adventures of a young Samoan woman in what could be defined, following Selina Tusitala Marsh, as “‘Chick Lit’ Pasifika-style” (“Aotearoa Reads”). My main argument is that Young b(l)ends the conventions of chick lit both by hybridizing some of its defining features and by repoliticizing the formula. While dealing with commonplace preoccupations of chick-lit heroines, the novels serve as effective tools for social commentary as they raise criticism toward both Samoan and western societies, reflect on the neocolonial and neoliberal structures affecting the lives of her young Samoan characters, and introduce discussions on culturally specific issues.
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Chick Lit Pasifika风格或如何B(l)结束公式:Lani Young的Scarlet系列
本文聚焦于萨摩亚作家拉尼·温特·杨的热门爱情系列《猩红色的谎言》(2015)、《猩黄色的秘密》(2015年)和《猩蓝色的救赎》(2019年)。小说采用了公认的“小鸡文学”模式,讲述了一位年轻萨摩亚女性的困境和浪漫冒险,这可以被定义为“小鸡文学帕西菲卡风格”(“Aotearoa Reads”)。我的主要论点是,Young b(l)通过杂交其一些定义特征和重新政治化配方,结束了小鸡照明的传统。小说在处理女性英雄们常见的关注点的同时,也成为了社会评论的有效工具,因为它们对萨摩亚和西方社会提出了批评,反思了影响她年轻的萨摩亚角色生活的新殖民主义和新自由主义结构,并引入了对特定文化问题的讨论。
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10
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