{"title":"Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution","authors":"E. Helyard","doi":"10.1080/08145857.2023.2223351","DOIUrl":null,"url":null,"abstract":"The avowed aim of this well-documented book is to explore the development of French opera that contains spoken dialogue. In its investigation of this repertory from its beginnings, the study follows a roughly chronological course","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicology Australia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08145857.2023.2223351","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
The avowed aim of this well-documented book is to explore the development of French opera that contains spoken dialogue. In its investigation of this repertory from its beginnings, the study follows a roughly chronological course