{"title":"The archer and the arrow: Zen Buddhism and the politics of religion in Nazi Germany","authors":"Sarah Panzer","doi":"10.1017/S1740022822000213","DOIUrl":null,"url":null,"abstract":"Abstract Zen may be most commonly associated with Japan, but the ‘art of Zen’ was made in Germany. This article reconstructs the reception of Zen Buddhism in Nazi Germany as an extension of the regime’s project to transform Christianity. Although Japanese reformers emphasized Zen’s universal qualities, in Nazi Germany it became associated instead with a combination of völkisch nationalism and spiritual mysticism mirroring Nazi aspirations for a ‘positive’ German form of Christianity. That project may have been discredited after 1945, but the image of Zen cultivated by Nazi ideologues transitioned more or less seamlessly into the post-war New Age movement. This phenomenon thus merits attention not only for what it reveals about the extent to which Germany remained engaged in global intellectual and cultural currents during the Nazi era but also in complicating our historical understanding of how Zen came to be part of the contemporary global vernacular.","PeriodicalId":46192,"journal":{"name":"Journal of Global History","volume":null,"pages":null},"PeriodicalIF":1.7000,"publicationDate":"2022-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Global History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S1740022822000213","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Zen may be most commonly associated with Japan, but the ‘art of Zen’ was made in Germany. This article reconstructs the reception of Zen Buddhism in Nazi Germany as an extension of the regime’s project to transform Christianity. Although Japanese reformers emphasized Zen’s universal qualities, in Nazi Germany it became associated instead with a combination of völkisch nationalism and spiritual mysticism mirroring Nazi aspirations for a ‘positive’ German form of Christianity. That project may have been discredited after 1945, but the image of Zen cultivated by Nazi ideologues transitioned more or less seamlessly into the post-war New Age movement. This phenomenon thus merits attention not only for what it reveals about the extent to which Germany remained engaged in global intellectual and cultural currents during the Nazi era but also in complicating our historical understanding of how Zen came to be part of the contemporary global vernacular.
期刊介绍:
Journal of Global History addresses the main problems of global change over time, together with the diverse histories of globalization. It also examines counter-currents to globalization, including those that have structured other spatial units. The journal seeks to transcend the dichotomy between "the West and the rest", straddle traditional regional boundaries, relate material to cultural and political history, and overcome thematic fragmentation in historiography. The journal also acts as a forum for interdisciplinary conversations across a wide variety of social and natural sciences. Published for London School of Economics and Political Science