Teaching artist preparation and professional development: perspectives from the youth orchestra Los Angeles (YOLA) program

Q1 Arts and Humanities Arts Education Policy Review Pub Date : 2022-02-09 DOI:10.1080/10632913.2022.2034690
Grecia Serrano Navarro, Mike Vecchio
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Abstract

Abstract Professional development can help to ensure teaching artists have the requisite knowledge and skills to lead effective instruction. However, the specific format of professional development can vary. One organization that provides professional development for their teaching artists is the Youth Orchestra Los Angeles (YOLA) program, which is an El Sistema-inspired program. In many communities there is a lack of access to a quality music education, and El Sistema-inspired programs attempt to provide opportunities for access to musical experiences through private lessons and large ensemble settings. Grecia Serrano Navarro provides a unique perspective concerning El Sistema-inspired programs, as well as the backgrounds, preparation, and professional development of teaching artists. Her story outlines her experiences of pursuing classical music study in high school, earning a degree in music education, her public school teaching experience, and her current role as a provider of professional development for teaching artists at YOLA. Through examining Grecia’s experiences, along with related literature providing contextual support for her perspective, the role of El Sistema-inspired programs is considered, including the structures of support that these programs provide aspiring musicians. The varied paths of preparation and professional development for teaching artists who work for El Sistema-inspired programs are also examined, including the impact of music teacher education on the field of teaching artistry.
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教学艺术家的准备和专业发展:从洛杉矶青年管弦乐队(YOLA)项目看
摘要专业发展有助于确保教学艺术家具备领导有效教学所需的知识和技能。然而,专业发展的具体形式可能会有所不同。一个为教学艺术家提供专业发展的组织是洛杉矶青年管弦乐团(YOLA)项目,这是一个受El Sistema启发的项目。在许多社区,缺乏获得优质音乐教育的机会,受El Sistema启发的项目试图通过私人课程和大型合奏环境提供获得音乐体验的机会。格雷西亚·塞拉诺·纳瓦罗(Grecia Serrano Navarro)对受El Sistema启发的项目以及教学艺术家的背景、准备和专业发展提供了独特的视角。她的故事概述了她在高中学习古典音乐、获得音乐教育学位的经历、公立学校的教学经历,以及她目前作为YOLA教授艺术家专业发展提供者的角色。通过研究Grecia的经历,以及为她的观点提供背景支持的相关文献,考虑了El Sistema启发的项目的作用,包括这些项目为有抱负的音乐家提供的支持结构。还考察了为El Sistema启发项目工作的教学艺术家的各种准备和专业发展途径,包括音乐教师教育对教学艺术领域的影响。
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来源期刊
Arts Education Policy Review
Arts Education Policy Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.90
自引率
0.00%
发文量
30
期刊介绍: Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.
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