{"title":"The power of the heart that blazes in the world","authors":"B. Arps","doi":"10.1080/13639811.2019.1654217","DOIUrl":null,"url":null,"abstract":"ABSTRACT The prominence of Hindu-Buddhist mythology, imagery, and religiosity in Islamic Java has puzzled observers. The shadow play with its Mahābhārata- and Rāmāyaṇa-derived subject matter is a prime example. Another is the late 18th-century ‘renaissance’ of Old Javanese literature in the Islamic kingdom of Surakarta, which produced classics still celebrated today. Beyond a misguided assumption that the Javanese were so strongly disposed to syncretism that blatant doctrinal clashes did not bother their intellectuals, the factors that animated this enterprise remain obscure, despite its critical consequence for the development of Javanese religiosities. I scrutinize several unstudied manuscripts and piece together information from hitherto unconnected scholarship to try to understand these factors, with reference to pressing circumstances, living theories, as well as people who think, feel, and hope. First I examine Javanese theoretical ideas about the relationship between the Hindu-Buddhist and Islamic traditions and the connection between epic narratives and the present and future of Java. Against this background I consider the initiative, in 1778, to reinterpret the ancient epic heritage, beginning with the Arjunawiwāha (composed c. 1030). Focal points of interest in the Islamic hermeneutics of this poem were a quest for inner potency and the resulting external power of violence, knowledge and revelation, and future kingship.","PeriodicalId":44721,"journal":{"name":"Indonesia and the Malay World","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13639811.2019.1654217","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesia and the Malay World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13639811.2019.1654217","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 4
Abstract
ABSTRACT The prominence of Hindu-Buddhist mythology, imagery, and religiosity in Islamic Java has puzzled observers. The shadow play with its Mahābhārata- and Rāmāyaṇa-derived subject matter is a prime example. Another is the late 18th-century ‘renaissance’ of Old Javanese literature in the Islamic kingdom of Surakarta, which produced classics still celebrated today. Beyond a misguided assumption that the Javanese were so strongly disposed to syncretism that blatant doctrinal clashes did not bother their intellectuals, the factors that animated this enterprise remain obscure, despite its critical consequence for the development of Javanese religiosities. I scrutinize several unstudied manuscripts and piece together information from hitherto unconnected scholarship to try to understand these factors, with reference to pressing circumstances, living theories, as well as people who think, feel, and hope. First I examine Javanese theoretical ideas about the relationship between the Hindu-Buddhist and Islamic traditions and the connection between epic narratives and the present and future of Java. Against this background I consider the initiative, in 1778, to reinterpret the ancient epic heritage, beginning with the Arjunawiwāha (composed c. 1030). Focal points of interest in the Islamic hermeneutics of this poem were a quest for inner potency and the resulting external power of violence, knowledge and revelation, and future kingship.
期刊介绍:
Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.