{"title":"Mutiny on the Sofa: Historical Patterns of Patriarchy and Family Structure in American Science Fiction, 1945–2018","authors":"J. Axelrod","doi":"10.5325/PACICOASPHIL.53.2.0308","DOIUrl":null,"url":null,"abstract":"Abstract:In the aftermath of World War II, American science fiction frequently turned to the trope of the autonomous nuclear family homesteading the cosmos in their own little space ship. This particular depiction of family reflects an ideology of frontier nostalgia, but it also almost inevitably conflates fatherly patriarchal authority with the strictures of naval discipline, providing an unsettling note of authoritarian tyranny in a genre intended to reinforce ideologies of “togetherness” and the comfortable “natural” order of familial authority. Analyses of Robert Heinlein’s The Rolling Stones, TV series Lost in Space and Star Trek, Becky Chambers’s The Long Way to a Small, Angry Planet, Disney’s Miles from Tomorrowland, and the graphic novel series Saga trace the decline of the “retrospective utopian” patriarchal family model and counterbalance it with the emergence of new, more flexible family authority structures appropriate to the twenty-first century.","PeriodicalId":41712,"journal":{"name":"Pacific Coast Philology","volume":"53 1","pages":"308 - 334"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pacific Coast Philology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/PACICOASPHIL.53.2.0308","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 4
Abstract
Abstract:In the aftermath of World War II, American science fiction frequently turned to the trope of the autonomous nuclear family homesteading the cosmos in their own little space ship. This particular depiction of family reflects an ideology of frontier nostalgia, but it also almost inevitably conflates fatherly patriarchal authority with the strictures of naval discipline, providing an unsettling note of authoritarian tyranny in a genre intended to reinforce ideologies of “togetherness” and the comfortable “natural” order of familial authority. Analyses of Robert Heinlein’s The Rolling Stones, TV series Lost in Space and Star Trek, Becky Chambers’s The Long Way to a Small, Angry Planet, Disney’s Miles from Tomorrowland, and the graphic novel series Saga trace the decline of the “retrospective utopian” patriarchal family model and counterbalance it with the emergence of new, more flexible family authority structures appropriate to the twenty-first century.
摘要:第二次世界大战结束后,美国科幻小说经常转向自主核家庭在自己的小宇宙飞船上定居宇宙的比喻。这种对家庭的特殊描绘反映了一种边疆怀旧的意识形态,但它也几乎不可避免地将父亲般的父权权威与海军纪律的严格混为一谈,提供了一种专制暴政的令人不安的音符,这种风格旨在强化“团结”的意识形态和舒适的“自然”家庭权威秩序。罗伯特·海因莱因(Robert Heinlein)的《滚石》(The Rolling Stones)、电视剧《迷失在太空》(Lost in Space)和《星际迷航》(Star Trek)、贝基·钱伯斯(Becky Chambers,适合二十一世纪的更灵活的家庭权力结构。
期刊介绍:
Pacific Coast Philology publishes peer-reviewed essays of interest to scholars in the classical and modern languages, literatures, and cultures. The journal publishes two annual issues (one regular and one special issue), which normally contain articles and book reviews, as well as the presidential address, forum, and plenary speech from the preceding year''s conference. Pacific Coast Philology is the official journal of the Pacific Ancient and Modern Language Association, a regional branch of the Modern Language Association. PAMLA is dedicated to the advancement and diffusion of knowledge of ancient and modern languages and literatures. Anyone interested in languages and literary studies may become a member. Please visit their website for more information.