{"title":"La resiliencia del mito quijotesco: Don Quijote Z o el mash-up del clásico","authors":"Miriam Borham-Puyal","doi":"10.3989/anacervantinos.2020.002","DOIUrl":null,"url":null,"abstract":"Among recent rewritings of Don Quixote de la Mancha, the mash-up stands out as a relevant comment on the enduring presence of Cervantes’ text in contemporary culture. Don Quijote Z (2010) provides an original approach to the quixotic text: rather than rewriting Don Quixote into a different context, it inscribes zombie literature within the hypotext. Given its generic nature, the quixotic mash-up challenges the politics of exclusion from the canon, while highlighting in a self-referential manner its own position on its margins. It is able to develop a Cervantean parody not only of the Z genre, but also of scholarly * Este trabajo se ha realizado en el marco del proyecto de investigación «Orientation: una perspectiva dinámica sobre la ficción y la cultura contemporáneas (1990 – en adelante)» (Ref. FFI201786417-P). ** Universidad de Salamanca. miriambp@usal.es / ORCID iD: https://orcid.org/0000-00028553-0769.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"35-55"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANALES CERVANTINOS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/anacervantinos.2020.002","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
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Abstract
Among recent rewritings of Don Quixote de la Mancha, the mash-up stands out as a relevant comment on the enduring presence of Cervantes’ text in contemporary culture. Don Quijote Z (2010) provides an original approach to the quixotic text: rather than rewriting Don Quixote into a different context, it inscribes zombie literature within the hypotext. Given its generic nature, the quixotic mash-up challenges the politics of exclusion from the canon, while highlighting in a self-referential manner its own position on its margins. It is able to develop a Cervantean parody not only of the Z genre, but also of scholarly * Este trabajo se ha realizado en el marco del proyecto de investigación «Orientation: una perspectiva dinámica sobre la ficción y la cultura contemporáneas (1990 – en adelante)» (Ref. FFI201786417-P). ** Universidad de Salamanca. miriambp@usal.es / ORCID iD: https://orcid.org/0000-00028553-0769.
在最近的《堂吉诃德·德·拉·曼查》的重写中，这种混搭作为对塞万提斯作品在当代文化中持久存在的相关评论脱颖而出。《堂吉诃德Z》(2010)为堂吉诃德式的文本提供了一种原创的方法:它没有将《堂吉诃德》改写成不同的语境，而是将僵尸文学纳入了假意文本。鉴于其普遍性，这部堂吉诃德式的混搭作品挑战了被排除在经典之外的政治，同时以一种自我参照的方式突出了自己在经典边缘的地位。它不仅能够发展出Z流派的塞万提斯式模仿，而且还能够发展出学术* Este trabajo se ha realizado en el marco del proecto de investigación«取向:una perspectiva dinámica sobre la ficción y la文化contemporáneas (1990 - en adelante)»(Ref. FFI201786417-P)。**萨拉曼卡大学。miriambp@usal.es / ORCID iD: https://orcid.org/0000-00028553-0769。
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