Gerhard Richter: Painting after the Subject of History

IF 0.2 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY European Legacy-Toward New Paradigms Pub Date : 2023-01-30 DOI:10.1080/10848770.2023.2174286
Lora Sigler
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Abstract

system of interconnected propositional attitudes. Hence to explain the origins of religious beliefs, Levy suggests that they must have emerged from stories. In this view, narrative is the substratum of human consciousness, and indeed predates any individual human mind, hence stories are the primordial soup out of which religious belief emerged. Is this a “cognitive theory of religion” as the subtitle promises? To this reviewer it feels more like a philosophical theory of cognition in which religion tags along for the ride. But perhaps that is the point: anomalous monism can and should be applied to everything. What happens next in the book is hard to describe. Having established that religion is just a kind of story-telling in which primitive information is imbued with communal meanings, Levy is apparently exempted—much like the scientists and humanists he criticizes—from attending to the things we call religion as human beings experience them. Ostensibly, Chapters 4, 5, and 6 are about ancient texts, especially the Hebrew Sefer Yetzirah on Jewish mysticism; modern information technology and the cult of celebrity; and intimacy (sexual and otherwise) as a space of intersubjectivity. The reasons for these choices are more or less opaque to this reader. But even if that opacity is my fault rather than the author’s, which is entirely possible, the content of each chapter is wildly heterogenous and Deleuzian, more akin to a journey through the author’s own mind, bookshelf, and Netflix queue than a series of case studies. Perhaps this is intentional, as it was for Deleuze, a subtle and clever meta-example of anomalous monism. But that does not make it any more clarifying as a “cognitive theory of religion” when long discussions of the films Fight Club and Arrival and Joe Rogan’s podcasts rub elbows with Mount Rushmore, theories of laughter, the Chauvet Cave, the evolutionary origins of life, mixed martial arts, and erotic sculpture, just to name a few. As an exercise in intersubjectivity, its success depends upon the recognition of the reader. So I invite you to read this interesting, unique, and challenging book and decide for yourself.
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格哈德·里希特:历史题材之后的绘画
相互关联的命题态度体系。因此,为了解释宗教信仰的起源,Levy认为它们一定是从故事中产生的。在这种观点中,叙事是人类意识的基础,而且确实早于任何一个人的思想,因此故事是宗教信仰产生的原始汤。这是副标题所承诺的“宗教认知理论”吗?对这位评论家来说,这更像是一种哲学认知理论,其中宗教紧随其后。但也许这就是重点:反常的一元论可以也应该适用于一切。书中接下来发生的事情很难描述。Levy已经确立了宗教只是一种故事讲述,在这种故事中,原始信息充满了共同的意义,他显然被豁免了——就像他批评的科学家和人文主义者一样——在人类经历宗教时,不去关注我们称之为宗教的东西。从表面上看,第4章、第5章和第6章是关于古代文本的,尤其是希伯来语中关于犹太神秘主义的Sefer Yetzirah;现代信息技术与名人崇拜;亲密(性和其他方面)是一个主体间性的空间。这些选择的原因对读者来说或多或少是不透明的。但是,即使这种不透明是我的错,而不是作者的错(这是完全可能的),每一章的内容都是极其异质和德勒兹式的,更像是一次穿越作者自己的思想、书架和Netflix队列的旅程,而不是一系列的案例研究。也许这是故意的,就像对德勒兹一样,他是反常一元论的一个微妙而聪明的元例子。但当电影《搏击俱乐部》和《抵达》以及乔·罗根的播客与拉什莫尔山、笑声理论、肖维洞穴、生命的进化起源、混合武术和色情雕塑等进行了长时间的讨论时,这并不能使其作为一种“宗教认知理论”变得更加清晰。作为主体间性的练习,它的成功取决于读者的认可。因此,我邀请你阅读这本有趣、独特、富有挑战性的书,并自己做出决定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
European Legacy-Toward New Paradigms
European Legacy-Toward New Paradigms HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
97
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