{"title":"Greek Madonnas and Venetian Fashion","authors":"M. Bacci","doi":"10.1484/j.convi.5.121176","DOIUrl":null,"url":null,"abstract":"In the second half of the fourteenth century, a large number of icons, made by Greek or Palaiologan-trained artists working in either Venice or Crete, enjoyed a wide circulation in the Mediterranea...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":"7 1","pages":"152-177"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.convi.5.121176","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
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Abstract
In the second half of the fourteenth century, a large number of icons, made by Greek or Palaiologan-trained artists working in either Venice or Crete, enjoyed a wide circulation in the Mediterranea...
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