Girls of War and Echoes of Liberation: Engaging Female Voices through Chimurenga Songs about Zimbabwe’s Armed Struggle

K. Khan
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引用次数: 2

Abstract

ABSTRACT Scholarship on war songs in Zimbabwe tends to emphasise male-centred discourses that ignore the role of female combatants’ views and voices of the struggle in “narrating the nation” (with H. K. Bhabha, Nation and Narration, 1990). The aim of this article is to restore female voices by female combatants to convey their own realities about Zimbabwe’s liberation struggle. Although there are many songs sung by women about the armed struggle, this article samples three songs to demonstrate that women used different methods to raise people’s political consciousness through the power of song. The songs to be textually analysed are “Zvinozibwa neZANU” (“Only ZANU knows about it”); “Tora Gidi Uzvitonge” (“Take the gun and liberate yourself”) and “Kugarira Nyika Yavo” (“To defend their country”). This article will demonstrate how women singers broke the silence by fighting in the liberation of Zimbabwe through the gun and the song.
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战争的女孩和解放的回声:通过津巴布韦武装斗争的奇穆伦加歌曲发出女性的声音
津巴布韦战歌奖学金倾向于强调以男性为中心的话语,忽视女性战斗人员的观点和斗争声音在“讲述国家”中的作用(与H.K.Bhabha合著,《国家与叙事》,1990年)。这篇文章的目的是恢复女性战斗人员的女性声音,以传达她们自己对津巴布韦解放斗争的现实。尽管有许多关于武装斗争的女性歌曲,但本文选取了三首歌曲来展示女性通过歌曲的力量用不同的方法来提高人们的政治意识。要进行文本分析的歌曲是“Zvinozibwa neZANU”(“只有ZANU知道”);“Tora Gidi Uzvitonge”(“拿起枪解放自己”)和“Kugarira Nyika Yavo”(“保卫他们的国家”)。这篇文章将展示女歌手如何通过枪支和歌曲打破沉默,为津巴布韦的解放而战。
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