{"title":"The silence of the huia: Bird extinction and the archive","authors":"C. Boyle","doi":"10.1386/nzps_00008_1","DOIUrl":null,"url":null,"abstract":"Abstract In this article, I argue that art can enable a critique of museological conventions, along with related ideas of natural history and extinction, which together have structured practices of preserving and representing departed species as scientific specimens. I draw\n on the case of the huia specifically, a bird species endemic to New Zealand, which became extinct in the early twentieth century, as a result of multiple ecological, cultural, political and economic forces stemming from colonization. I suggest the preservation of individual huia birds in the\n form of scientific specimens demonstrates how Victorian aesthetics and ideas about the natural world shaped the modality through which non-human life was, and to some extent still is, recorded and portrayed according to particular archival norms. Utilizing concepts from recent scholarship\n in the field of extinction studies, I critically consider how the works of two artists which feature the huia, challenge the traditions of the museum and the archive. First, I examine how Fiona Pardington's photography of huia specimens frames the species as a life form that became extinct\n in a context scarred by the complex and violent entanglement of people and nature. Second, I show how a work of sound art by Sally Ann McIntyre, which is centred on the inaudible recordings of huia specimens played on Kapiti Island, the bird's original habitat, highlights that extinction results\n in the loss of multispecies relationality.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Zealand and Pacific Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/nzps_00008_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract In this article, I argue that art can enable a critique of museological conventions, along with related ideas of natural history and extinction, which together have structured practices of preserving and representing departed species as scientific specimens. I draw
on the case of the huia specifically, a bird species endemic to New Zealand, which became extinct in the early twentieth century, as a result of multiple ecological, cultural, political and economic forces stemming from colonization. I suggest the preservation of individual huia birds in the
form of scientific specimens demonstrates how Victorian aesthetics and ideas about the natural world shaped the modality through which non-human life was, and to some extent still is, recorded and portrayed according to particular archival norms. Utilizing concepts from recent scholarship
in the field of extinction studies, I critically consider how the works of two artists which feature the huia, challenge the traditions of the museum and the archive. First, I examine how Fiona Pardington's photography of huia specimens frames the species as a life form that became extinct
in a context scarred by the complex and violent entanglement of people and nature. Second, I show how a work of sound art by Sally Ann McIntyre, which is centred on the inaudible recordings of huia specimens played on Kapiti Island, the bird's original habitat, highlights that extinction results
in the loss of multispecies relationality.
摘要在这篇文章中,我认为艺术可以批判博物馆学的传统,以及自然史和灭绝的相关思想,这些思想共同构成了将逝去的物种作为科学标本保存和表现的结构化实践。我特别引用了huia的例子,它是新西兰特有的一种鸟类,由于殖民化产生的多种生态、文化、政治和经济力量,在20世纪初灭绝。我认为,以科学标本的形式保存个别辉亚鸟,表明了维多利亚时代的美学和关于自然世界的思想是如何塑造非人类生命过去和现在(在某种程度上)根据特定档案规范记录和描绘的形态的。利用最近灭绝研究领域的学术概念,我批判性地思考了两位艺术家的作品是如何挑战博物馆和档案馆的传统的。首先,我研究了Fiona·帕丁顿(Fiona Pardington)拍摄的huia标本是如何将该物种塑造成一种在人与自然复杂而暴力的纠缠中灭绝的生命形式的。其次,我展示了Sally Ann McIntyre的一件声音艺术作品,该作品以在该鸟的原始栖息地Kapiti岛上播放的huia标本的听不见的录音为中心,强调了灭绝会导致多物种相对性的丧失。
期刊介绍:
The Journal of New Zealand & Pacific Studies covers disciplines including the humanities and social sciences, and subjects such as cultural studies, history, literature, film, anthropology, politics and sociology. Each issue of this publication aims to establish a balance between papers on New Zealand and papers on the South Pacific, with a reports and book reviews section included. The journal is sponsored by the New Zealand Studies Association and hosted by the University of Vienna. It has replaced the key publication NZSA Bulletin of New Zealand Studies.