{"title":"Isak Dinesen’s weird voodoo novel","authors":"Peter Mortensen","doi":"10.1386/host_00060_1","DOIUrl":null,"url":null,"abstract":"With its awkward generic shifts, odd repetitions, confusing spatial dislocations, unstable characters and inconclusive supernatural horrors, I here argue, bilingual Danish author Isak Dinesen’s The Angelic Avengers weirds our experience of living in a familiar, predictable and rule-governed universe. In my analysis, I especially foreground Dinesen’s use of West Indian voodoo, which is a prominent weirding device largely overlooked by the novel’s relatively few critics. Dinesen, I argue, wrote her novel amidst a widespread international voodoo and zombie vogue, tapping into popular representations of Caribbean witchcraft in nonfiction, pulp fiction and film. In The Angelic Avengers, I argue, Dinesen appropriates voodoo themes and characters, to conjure the presence of ominous agencies that trouble enlightened reason’s ability to explain and master the world.","PeriodicalId":41545,"journal":{"name":"Horror Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Horror Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/host_00060_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
With its awkward generic shifts, odd repetitions, confusing spatial dislocations, unstable characters and inconclusive supernatural horrors, I here argue, bilingual Danish author Isak Dinesen’s The Angelic Avengers weirds our experience of living in a familiar, predictable and rule-governed universe. In my analysis, I especially foreground Dinesen’s use of West Indian voodoo, which is a prominent weirding device largely overlooked by the novel’s relatively few critics. Dinesen, I argue, wrote her novel amidst a widespread international voodoo and zombie vogue, tapping into popular representations of Caribbean witchcraft in nonfiction, pulp fiction and film. In The Angelic Avengers, I argue, Dinesen appropriates voodoo themes and characters, to conjure the presence of ominous agencies that trouble enlightened reason’s ability to explain and master the world.