{"title":"Diálogos modales en medio de una Última Sena: Jordi Claramonte y Feliza Bursztyn","authors":"Adryan Fabrizio Pineda Repizo","doi":"10.14483/21450706.15408","DOIUrl":null,"url":null,"abstract":"Based on the modal categories of Jordi Claramonte’s modal aesthetic theory, this text exposes a way of approaching the identification of modal relationships as axes of analysis of a work of art. To this end, a dialogue is proposed with La Ultima Sena of Colombian sculptor Feliza Bursztyn. This work allows to illustrate the tensions between the dispositional and that which belongs to the repertoire as constitutive elements of the artistic and the aesthetic reality.","PeriodicalId":41194,"journal":{"name":"Calle 14-Revista de investigacion en el Campo del Arte","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Calle 14-Revista de investigacion en el Campo del Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14483/21450706.15408","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Based on the modal categories of Jordi Claramonte’s modal aesthetic theory, this text exposes a way of approaching the identification of modal relationships as axes of analysis of a work of art. To this end, a dialogue is proposed with La Ultima Sena of Colombian sculptor Feliza Bursztyn. This work allows to illustrate the tensions between the dispositional and that which belongs to the repertoire as constitutive elements of the artistic and the aesthetic reality.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
