Enduring as Stones: Performing Memories of Violence and the Labour of Care

IF 0.1 4区 社会学 Q4 CULTURAL STUDIES Parallax Pub Date : 2021-10-02 DOI:10.1080/13534645.2022.2073686
Honor Ford-Smith
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Abstract

Letters from the Dead is a cycle of collaborative performances that mourns and remembers all those who have died in the Caribbean and its diaspora as a result of state violence, gendered violence and the violence of armed strongmen. As both performance process and product, the cycle tells of the living worlds of those who have died as a result of violence and creates a space in which the restorative and caring labour of mourning and remembrance can Figure 1. Street Performance of Letters from the Dead, Kingston, Jamaica, 2009. Photo: Deborah Thomas
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坚如磐石:演绎暴力记忆和关爱劳动
《死者的信》是一个合作表演的循环,悼念和纪念所有在加勒比地区因国家暴力、性别暴力和武装强人暴力而死亡的人。作为表演过程和产品,这个循环讲述了那些因暴力而死亡的人的生活世界,并创造了一个空间,在这个空间里,哀悼和纪念的恢复和关怀劳动可以(图1)。《死者来信》街头表演,金斯顿,牙买加,2009年。图片来源:Deborah Thomas
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来源期刊
Parallax
Parallax Multiple-
CiteScore
0.50
自引率
0.00%
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0
期刊介绍: Founded in 1995, parallax has established an international reputation for bringing together outstanding new work in cultural studies, critical theory and philosophy. parallax publishes themed issues that aim to provoke exploratory, interdisciplinary thinking and response. Each issue of parallax provides a forum for a wide spectrum of perspectives on a topical question or concern. parallax will be of interest to those working in cultural studies, critical theory, cultural history, philosophy, gender studies, queer theory, post-colonial theory, English and comparative literature, aesthetics, art history and visual cultures.
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