Cavarero’s Muse: The Troubling Power of Mimetic Inclinations

IF 0.4 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Critical Horizons Pub Date : 2023-04-03 DOI:10.1080/14409917.2023.2233110
Giulia Ulla Rignano
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Abstract

ABSTRACT This article engages with Adriana Cavarero’s analysis of the Muse of Greek oral poetry to rethink the relationship between mimesis and narration, and the shaping power of the act of narration on the subject. I suggest that Cavarero’s reading of the Muse provides an understanding of mimesis that moves beyond representation to a form of contagion between embodied and temporal subjectivities. To clarify this, I show how Cavarero’s Muse anticipates her critique of rectitude in Inclinations and makes it clear that the inclined subject is not only the vulnerable and open subject as opposed to the vertical and autonomous one, but also the subject that has the power to incline the narratives that mimetically straighten it. The aim is to understand mimetic inclinations as destabilising voices of vertical narrations. As a concrete example of the troubling power of mimetic inclinations, I propose a rereading of Cavarero’s technique of theft presented in In Spite of Plato as a strategy of mimetic resistance.
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卡瓦雷罗的缪斯:模仿倾向的令人不安的力量
本文结合卡瓦雷罗对希腊口述诗歌缪斯的分析,重新思考模仿与叙事的关系,以及叙事行为对主体的塑造力。我认为卡瓦雷罗对缪斯的解读提供了一种对模仿的理解,这种模仿超越了再现,变成了一种肉体和时间主体性之间的传染。为了澄清这一点,我展示了卡瓦雷罗的缪斯是如何在《倾向》中预见到她对正直的批判,并明确指出,倾向的主体不仅是脆弱和开放的主体,与垂直和自主的主体相反,而且是有能力倾斜叙事的主体,模仿地使其变得正直。其目的是将模仿倾向理解为垂直叙事的不稳定声音。作为模仿倾向令人不安的力量的一个具体例子,我建议重读卡瓦雷罗在《尽管柏拉图》中提出的偷窃技巧,作为一种模仿抵抗的策略。
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来源期刊
Critical Horizons
Critical Horizons SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.90
自引率
0.00%
发文量
18
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