Dealing with Collections from Colonial Contexts: Current Developments in Germany

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2022-12-30 DOI:10.4467/2450050xsnr.22.024.17037
R. Peters
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Abstract

The debate on the return and restitution of cultural property is by no means a new one. In recent years, however, the debate – stimulated by French President Emmanuel Macron’s speech in 2017 – extended to include the question of how to deal with collections from colonial contexts. Whereas international law provides a legal framework for how to deal with war-time looting (the 1954 Hague Convention) and the present-day trafficking in cultural property (the 1970 UNESCO Convention), no such legal regime exists for cultural objects removed during colonial times. Nevertheless, as this article illustrates – with a focus on recent examples in Germany – current developments indicate a movement towards new political and ethical schemes on how to deal with collections from colonial contexts and, in a broader sense, how to come to terms with the colonial past. In Germany, this includes the return of cultural objects and human remains to Namibia as well as the transfer of ownership of all Benin Bronzes held by German institutions to Nigeria.
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处理殖民背景下的藏品:德国的当前发展
关于归还和归还文化财产的辩论决不是一场新的辩论。然而,近年来,受法国总统埃马纽埃尔·马克龙2017年演讲的刺激,这场辩论扩大到了如何处理殖民背景下的藏品的问题。尽管国际法为如何处理战争时期的掠夺(1954年《海牙公约》)和当今的文化财产贩运(1970年《联合国教科文组织公约》)提供了法律框架,但殖民时期移走的文物却没有这样的法律制度。尽管如此,正如本文所展示的那样——重点关注德国最近的例子——当前的事态发展表明,在如何处理殖民背景下的藏品,以及在更广泛的意义上,如何接受殖民历史的问题上,正在朝着新的政治和伦理计划的方向发展。在德国,这包括将文物和人类遗骸归还纳米比亚,以及将德国机构持有的所有贝宁青铜器的所有权移交给尼日利亚。
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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