{"title":"Tete wↄ bi ka, tete wↄ bi kyerɛ: Pius Agyemang's Sacred Music and Ghana's Catholic Liturgical Inculturation felicity apaah","authors":"F. Apaah","doi":"10.5325/jafrireli.11.1.0077","DOIUrl":null,"url":null,"abstract":"Abstract:This article provides an ethnographic reading into Catholic liturgical music rooted in African indigenous concepts. It analyzes some selected lyrics of the compositions of Pius Agyemang, SVD, who was a versatile Ghanaian Catholic composer and historian with vast knowledge in Ghanaian culture, to explore the nexus between Christian religiosity and being an African. These songs are not just literary texts but indigenous theology in action that expresses the religious understanding and reflections of a people within the context of Ghanaian indigenous knowledge system's philosophy. The article shows how Pius Agyemang's works provide a paradigm of indigenous theology that combines the Asante thought-form and culture with indigenous expressions of the Christian faith. It argues that there is complementarity between Christianity and the indigenous knowledge system's philosophy that situates Christian belief in a stronger way in the Ghanaian traditional setting and serves as a relevant source of African Christian epistemology.","PeriodicalId":41877,"journal":{"name":"Journal of Africana Religions","volume":"11 1","pages":"77 - 97"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Africana Religions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jafrireli.11.1.0077","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This article provides an ethnographic reading into Catholic liturgical music rooted in African indigenous concepts. It analyzes some selected lyrics of the compositions of Pius Agyemang, SVD, who was a versatile Ghanaian Catholic composer and historian with vast knowledge in Ghanaian culture, to explore the nexus between Christian religiosity and being an African. These songs are not just literary texts but indigenous theology in action that expresses the religious understanding and reflections of a people within the context of Ghanaian indigenous knowledge system's philosophy. The article shows how Pius Agyemang's works provide a paradigm of indigenous theology that combines the Asante thought-form and culture with indigenous expressions of the Christian faith. It argues that there is complementarity between Christianity and the indigenous knowledge system's philosophy that situates Christian belief in a stronger way in the Ghanaian traditional setting and serves as a relevant source of African Christian epistemology.
期刊介绍:
The Journal of Africana Religions publishes critical scholarship on Africana religions, including the religious traditions of African and African Diasporic peoples as well as religious traditions influenced by the diverse cultural heritage of Africa. An interdisciplinary journal encompassing history, anthropology, Africana studies, gender studies, ethnic studies, religious studies, and other allied disciplines, the Journal of Africana Religions embraces a variety of humanistic and social scientific methodologies in understanding the social, political, and cultural meanings and functions of Africana religions.