{"title":"Toxic Waste and Unpaid Labor","authors":"Steph Lambert","doi":"10.1215/0041462X-9084302","DOIUrl":null,"url":null,"abstract":"“Everyday things represent the most overlooked forms of knowledge,” claims Father Paulus, the Jesuit priest in Don DeLillo’s novel Underworld (1997). What tends to go overlooked in DeLillo’s work, this article proposes, is the socio-ecological violence of the capitalist world-system that undergirds this “everyday.” Turning to DeLillo’s depiction of the Cold War kitchen in Underworld (1997) and consumerist detritus in White Noise (1985), this article reveals how the novels foreground the exploited labor and land required to sustain accumulation and the toxic consequences of the US cycle. To do so, it brings into dialogue critiques of everyday life; the Warwick Research Collective’s definition of “world-literature” as “the literary registration of . . . combined and uneven development”; Jason W. Moore’s world-ecological analysis with Marx’s theory of value; and Silvia Federici, Maria Mies, and Nancy Fraser’s Marxist-feminist analyses of domestic labor.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"67 1","pages":"109-138"},"PeriodicalIF":0.2000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NINETEENTH-CENTURY LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0041462X-9084302","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 1
Abstract
“Everyday things represent the most overlooked forms of knowledge,” claims Father Paulus, the Jesuit priest in Don DeLillo’s novel Underworld (1997). What tends to go overlooked in DeLillo’s work, this article proposes, is the socio-ecological violence of the capitalist world-system that undergirds this “everyday.” Turning to DeLillo’s depiction of the Cold War kitchen in Underworld (1997) and consumerist detritus in White Noise (1985), this article reveals how the novels foreground the exploited labor and land required to sustain accumulation and the toxic consequences of the US cycle. To do so, it brings into dialogue critiques of everyday life; the Warwick Research Collective’s definition of “world-literature” as “the literary registration of . . . combined and uneven development”; Jason W. Moore’s world-ecological analysis with Marx’s theory of value; and Silvia Federici, Maria Mies, and Nancy Fraser’s Marxist-feminist analyses of domestic labor.
期刊介绍:
From Ozymandias to Huckleberry Finn, Nineteenth-Century Literature unites a broad-based group of transatlantic authors and poets, literary characters, and discourses - all discussed with a keen understanding of nineteenth -century literary history and theory. The major journal for publication of new research in its field, Nineteenth-Century Literature features articles that span across disciplines and explore themes in gender, history, military studies, psychology, cultural studies, and urbanism. The journal also reviews annually over 70 volumes of scholarship, criticism, comparative studies, and new editions of nineteenth-century English and American literature.