Loughnane on Merleau-Ponty and Nishida: Artists Expressing Faith Intrinsic to Embodiment

G. Mazis
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Abstract

ABSTRACT Nishida’s and Merleau-Ponty’s “perceptual ontologies” lead to other notions of self, spirituality, and faith, bringing out the distinctive and comparable religious paths of Buddhism and embodied phenomenology entered by deepening the prereflective openness to the world’s “voices of silence.” Loughnane’s study highlights how Nishida’s and Merleau-Ponty’s turn towards a series of artists in their respective cultural contexts brings out the particular groundedness in the materiality of the beings of the world in this “mutual interexpressivity” or “reversibility.” Faith is revisioned as the dropping of egoistic control to allow perception to be carried into the depths of the world of spiritual hearkening.
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梅洛桥和西田上的Loughnane:表达化身内在信仰的艺术家
摘要西田和梅洛-庞蒂的“感知本体论”引出了其他关于自我、精神和信仰的概念,提出了佛教独特而可比的宗教道路,并通过深化对世界“沉默之声”的预反射开放而体现了现象学。Loughnane的研究强调了西田和梅洛-庞蒂在各自的文化背景下转向一系列艺术家,如何在这种“相互表达”或“可逆性”中揭示了世界存在的物质性的特殊基础。“信仰被修正为自我控制的下降,以允许感知被带入精神倾听世界的深处。
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0.30
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22
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