{"title":"Against a Feline Erasmus","authors":"N. Mout","doi":"10.1163/18749275-03902003","DOIUrl":null,"url":null,"abstract":"\n The publication of the fiftieth volume of Erasmi Opera Omnia (ASD), a series begun in 1969, leads to an examination of Erasmus as editor of texts, of which his editions of the New Testament and of patristic writings hold pride of place. Treatment of the question how Erasmus himself rated editions and editors is preceded by an assessment of his public persona. The disputatious or outright polemical Erasmus showed himself not at all, as Huizinga would have it, “restricted to the feline” in his expressions about other scholars and their work. Erasmus’ ideas about the making or the appreciation of an edition often started from the negative: who is not able to make or to appreciate a good edition, and what exactly is a bad edition? In the end, however, while discussing St Augustine’s works he drew a portrait of the ideal editor.","PeriodicalId":40983,"journal":{"name":"Erasmus Studies","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2019-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/18749275-03902003","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Erasmus Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18749275-03902003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The publication of the fiftieth volume of Erasmi Opera Omnia (ASD), a series begun in 1969, leads to an examination of Erasmus as editor of texts, of which his editions of the New Testament and of patristic writings hold pride of place. Treatment of the question how Erasmus himself rated editions and editors is preceded by an assessment of his public persona. The disputatious or outright polemical Erasmus showed himself not at all, as Huizinga would have it, “restricted to the feline” in his expressions about other scholars and their work. Erasmus’ ideas about the making or the appreciation of an edition often started from the negative: who is not able to make or to appreciate a good edition, and what exactly is a bad edition? In the end, however, while discussing St Augustine’s works he drew a portrait of the ideal editor.