Playing the refugee: aesthetics of trauma in mainstream refugeehood dramaturgy

IF 1.8 Q2 INTERNATIONAL RELATIONS Critical Studies on Security Pub Date : 2022-05-04 DOI:10.1080/21624887.2022.2111834
Myriam Fotou
{"title":"Playing the refugee: aesthetics of trauma in mainstream refugeehood dramaturgy","authors":"Myriam Fotou","doi":"10.1080/21624887.2022.2111834","DOIUrl":null,"url":null,"abstract":"ABSTRACT There can hardly be a more commonplace way to start talking about playing on stage than stating the social and political character that theatre has had since its inception. Even when it is not self-defined as ‘political’, the aesthetic and the educational value of theatre is considered self-evident while its engagement with issues of the day is very common. Refugeehood could not escape stage representation, and this is what I consider in the following few pages. How should refugehood be represented on stage beyond aestheticisation of trauma?","PeriodicalId":29930,"journal":{"name":"Critical Studies on Security","volume":"10 1","pages":"96 - 100"},"PeriodicalIF":1.8000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies on Security","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21624887.2022.2111834","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INTERNATIONAL RELATIONS","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT There can hardly be a more commonplace way to start talking about playing on stage than stating the social and political character that theatre has had since its inception. Even when it is not self-defined as ‘political’, the aesthetic and the educational value of theatre is considered self-evident while its engagement with issues of the day is very common. Refugeehood could not escape stage representation, and this is what I consider in the following few pages. How should refugehood be represented on stage beyond aestheticisation of trauma?
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
扮演难民:主流难民戏剧中的创伤美学
要谈论舞台上的戏剧,没有比陈述戏剧自诞生以来所具有的社会和政治特征更普通的方式了。即使它不被自我定义为“政治”,戏剧的美学和教育价值也被认为是不言而喻的,而它与当今问题的接触是非常普遍的。难民身份无法逃脱舞台的表现,这就是我在接下来的几页中所考虑的。在舞台上,除了创伤的审美化之外,难民身份应该如何表现?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
3.30
自引率
0.00%
发文量
18
期刊最新文献
Chair in Entebbe Things never remain the same Poetics of silence Not just a hashtag Your security, our territories
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1