{"title":"Sex, crime and entertainment","authors":"Benjamin Hegarty","doi":"10.1080/13639811.2022.2035074","DOIUrl":null,"url":null,"abstract":"ABSTRACT Images linking ‘LGBT’ to sexually motivated crime are a common feature of reporting in the Indonesian online news media. In particular, ‘gay sex parties’ are a spectacle shaped by the images produced by journalists in collaboration with the police. This combination of crime and entertainment plays a crucial role in managing both in what ways LGBT is seen and by extension what is defined as belonging to the public sphere. Media images of raids take the form of videos and photographs, press conferences and reconstructions filmed at the crime scene. Although same-sex sexual acts between consenting adults are not a crime in Indonesia, the 2008 Pornography Law and various regional regulations do provide scope for detaining people on public decency grounds. However, the connection between sex and crime as a form of entertainment in which the police are central protagonists is shaped by histories of visual power that can be traced to the authoritarian New Order. By contextualising and interpreting media images of a police raid on a ‘gay sex party’ in September 2020, I describe how the genre conventions and affective force of images of LGBT are central to the state’s governance of the public sphere. Considering the relationship between sex, crime and entertainment helps to address the central role played by both unruly images and media power in regulating the boundaries of political participation and claims for justice.","PeriodicalId":44721,"journal":{"name":"Indonesia and the Malay World","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesia and the Malay World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13639811.2022.2035074","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Images linking ‘LGBT’ to sexually motivated crime are a common feature of reporting in the Indonesian online news media. In particular, ‘gay sex parties’ are a spectacle shaped by the images produced by journalists in collaboration with the police. This combination of crime and entertainment plays a crucial role in managing both in what ways LGBT is seen and by extension what is defined as belonging to the public sphere. Media images of raids take the form of videos and photographs, press conferences and reconstructions filmed at the crime scene. Although same-sex sexual acts between consenting adults are not a crime in Indonesia, the 2008 Pornography Law and various regional regulations do provide scope for detaining people on public decency grounds. However, the connection between sex and crime as a form of entertainment in which the police are central protagonists is shaped by histories of visual power that can be traced to the authoritarian New Order. By contextualising and interpreting media images of a police raid on a ‘gay sex party’ in September 2020, I describe how the genre conventions and affective force of images of LGBT are central to the state’s governance of the public sphere. Considering the relationship between sex, crime and entertainment helps to address the central role played by both unruly images and media power in regulating the boundaries of political participation and claims for justice.
期刊介绍:
Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.