Exploring Indian stand-up comedy through the lens of ideology, identity and gender: a discourse analysis

Q1 Arts and Humanities Comedy Studies Pub Date : 2022-02-21 DOI:10.1080/2040610X.2022.2040781
Inzamul Sarkar, Ayesha Siraj
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Abstract

Abstract Despite being a diverse, vibrant and multifaceted phenomenon, relatively little academic attention has been paid in analysing Indian stand-up comedy. This paper attempts to address this imbalance by offering pathways in the analysis of stand-up comedy. Employing examples from the performances of the comedians and adopting discourse analysis methodology, this paper focuses on the issues like language ideology, identity and gender embeddedness in Indian Stand-up comedy. We have argued that the comedy employs several performative techniques such as linguistic code switching and calculative pauses to create humor. Through our work, we have demonstrated how ideology and identity constructions are simultaneously reinforced and subverted within the same comic moment. Finally, the extracted portion of recorded performances shows that the whole event unfolds as an informal, naturally developing encounter between audience and comedian.
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从意识形态、身份和性别的角度探讨印度单口喜剧:话语分析
尽管印度单口喜剧是一个多元化的、充满活力的、多方面的现象,但在分析印度单口喜剧方面,学术界的关注相对较少。本文试图通过提供分析单口喜剧的途径来解决这种不平衡。本文以喜剧演员的表演为例,运用话语分析的方法,对印度单口喜剧中的语言意识形态、身份认同和性别嵌入等问题进行了研究。我们认为,喜剧运用了多种表演技巧,如语言代码转换和计算暂停来创造幽默。通过我们的作品,我们展示了意识形态和身份结构是如何在同一喜剧时刻同时得到加强和颠覆的。最后,从演出记录中提取的部分可以看出,整个事件是观众和喜剧演员之间一场非正式的、自然发展的邂逅。
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来源期刊
Comedy Studies
Comedy Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
26
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