{"title":"Two Cartographic Elements in Galvaneus Flamma’s Cronica Universalis","authors":"P. Chiesa","doi":"10.1080/00822884.2022.2138223","DOIUrl":null,"url":null,"abstract":"In his Cronica universalis Galvaneus Flamma refers to two cartographic artifacts. The first is a diagram of the winds placed within a cosmological frame, which lists the names of the winds in accordance with both “scientific” tradition and seafaring experience; this diagram intertwines two sources of knowledge, as would be expected in a scholarly milieu receptive to the suggestion of geographical practice. The other is a mappa Ianuensis, i.e. a map drawn in Genoa or kept in Genoa at the time, which Galvaneus mentions three times in his work; according to Galvaneus’s mentions, this map depicted the entire globe, and was much more extensive than a portolan chart. Both elements bring new light about the author’s geographical interests and sources, and add some small tiles to the mosaic of fourteenth-century cartography.","PeriodicalId":40672,"journal":{"name":"Terrae Incognitae-The Journal of the Society for the History of Discoveries","volume":"54 1","pages":"280 - 294"},"PeriodicalIF":0.5000,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Terrae Incognitae-The Journal of the Society for the History of Discoveries","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00822884.2022.2138223","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
In his Cronica universalis Galvaneus Flamma refers to two cartographic artifacts. The first is a diagram of the winds placed within a cosmological frame, which lists the names of the winds in accordance with both “scientific” tradition and seafaring experience; this diagram intertwines two sources of knowledge, as would be expected in a scholarly milieu receptive to the suggestion of geographical practice. The other is a mappa Ianuensis, i.e. a map drawn in Genoa or kept in Genoa at the time, which Galvaneus mentions three times in his work; according to Galvaneus’s mentions, this map depicted the entire globe, and was much more extensive than a portolan chart. Both elements bring new light about the author’s geographical interests and sources, and add some small tiles to the mosaic of fourteenth-century cartography.