Postcritique and the Problem of the Lay Reader

IF 0.8 2区 文学 0 LITERATURE New Literary History Pub Date : 2022-01-01 DOI:10.1353/nlh.2022.0006
Tobias Skiveren
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引用次数: 3

Abstract

Abstract:This essay examines the figure of the lay reader in recent debates about critique and postcritique. It argues that an attachment to "lay reading" not only fuels the current emergence of countertrends to critical methodologies but also threatens the survival of such postcritical projects. The essay does so by demonstrating, first, how this attachment counterworks an elitist tendency in critical scholarship to regard such modes of reading—and those who value them—as politically dubious (e.g., Bruce Robbins). The essay then shows how this very same attachment also complicates the formulation of viable methodological alternatives to critique: In some cases, it entails a didactic of unschooling that strips literary critics of their status as academics (e.g., Elizabeth S. Anker and Cara L. Lewis); in others, it leads to generic accounts of reading that fail to provide distinct strategies for scholars specifically (e.g., Lucas Thomson and Toril Moi). On this basis, the essay calls for the postcritical project to loosen its attachment to the figure of the lay reader and look to neighboring fields for other ways of moving beyond critique, like, for instance, the current resurgence of Spinozian ethics in affect studies.
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后批判与外行读者的问题
摘要:本文考察了在最近关于批判和后写作的辩论中,外行读者的形象。它认为,对“外行阅读”的依恋不仅助长了当前对关键方法论的反趋势的出现,而且威胁到这些关键后项目的生存。这篇文章首先展示了这种依恋是如何对抗批判性学术中的精英主义倾向的,即认为这种阅读模式——以及那些重视它们的人——在政治上是可疑的(例如布鲁斯·罗宾斯)。然后,这篇文章展示了同样的依恋如何也使批判的可行方法论替代方案的制定变得复杂:在某些情况下,它包含了一种非学校教育的说教,剥夺了文学评论家的学术地位(例如,伊丽莎白·S·安克和卡拉·L·刘易斯);在另一些情况下,它导致了对阅读的一般描述,而这些描述并不能为学者提供特定的策略(例如Lucas Thomson和Toril Moi)。在此基础上,本文呼吁后批判项目放松对非专业读者形象的依恋,并将目光投向邻近领域,寻找超越批判的其他方式,例如,当前Spinozian伦理学在情感研究中的复兴。
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来源期刊
New Literary History
New Literary History LITERATURE-
CiteScore
1.50
自引率
11.10%
发文量
8
期刊介绍: New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.
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