Are UK music therapists talking past each other? A critical discourse analysis of three book reviews

IF 0.7 Q4 REHABILITATION British Journal of Music Therapy Pub Date : 2019-09-16 DOI:10.1177/1359457519874443
Donald Wetherick
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引用次数: 1

Abstract

Ansdell’s ‘Winds of Change’ paper articulated a distinction in UK music therapy between established ‘consensus’ practice drawing on psychotherapeutic principles and developing or previously hidden ‘community music therapy’ practices based on ecological or social-psychological principles. Writing that addresses different theoretical positions in music therapy (meta-theory) exists from European and American perspectives but far less from a UK perspective. This article considers the view that UK music therapy writing in general has continued along one or other of these paths and that there has been relatively little exchange between them; indeed, that UK music therapists tend to ‘talk past each other’. To explore the matter systematically, this article takes a critical discourse analysis approach to analysing three recent music therapy book reviews. Critical discourse analysis was chosen to identify underlying assumptions (‘ideologies’) that shape thinking and practice, as revealed by language use. Book reviews were identified as texts where reviewers typically engage with authors from different perspectives and in doing so offer potentially rich material for such analysis. The analysis identifies ways in which UK music therapy writing shows signs of stress across a divide between ecological and psychodynamic approaches, with reviewers going to some lengths to reconnect these different positions and so unify a discourse within which ‘fault-lines’ are present. It is suggested that, in the United Kingdom at least, ecological and psychodynamic music therapy writing are becoming more separated as discourses, with a lack of integrated meta-theoretical discussion or examples of shared practice. This inhibits coherent development of the discipline and the effective training of future practitioners. A case is made for greater integration in music therapy writing through both developments in meta-theory and by practitioners sharing examples of cross-theoretical practice.
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英国音乐治疗师是在各执一词吗?三篇书评的批评性话语分析
Ansdell的“变革之风”论文阐明了英国音乐治疗中基于心理治疗原则的既定“共识”实践与基于生态或社会心理原则的发展或以前隐藏的“社区音乐治疗”实践之间的区别。从欧洲和美国的角度来看,针对音乐治疗(元理论)中不同理论立场的写作是存在的,但从英国的角度来看则要少得多。本文认为,英国音乐治疗写作总体上沿着其中一条或另一条道路继续,而它们之间的交流相对较少;事实上,英国音乐治疗师倾向于“相互忽略”。为了系统地探讨这一问题,本文采用批判性话语分析的方法来分析最近三篇音乐治疗书评。选择批判性话语分析来确定影响思维和实践的基本假设(“意识形态”),正如语言使用所揭示的那样。书评被认为是书评人通常从不同角度与作者接触的文本,这样做可以为这种分析提供潜在的丰富材料。该分析确定了英国音乐治疗写作在生态和心理动力学方法之间表现出压力迹象的方式,评论家们竭尽全力重新连接这些不同的立场,从而统一存在“断层线”的话语。有人认为,至少在英国,生态和心理动力音乐治疗写作作为话语越来越分离,缺乏综合的元理论讨论或共同实践的例子。这阻碍了学科的连贯发展和对未来从业者的有效培训。通过元理论的发展和从业者分享跨理论实践的例子,为音乐治疗写作提供了更大的整合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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