The Portrayal of Gender and Race in Cars Trilogy

Nurhadianty Rahayu
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Abstract

As the most commercially successful animated film, Cars trilogy, produced by Pixar Animation Studios, are opted to be analysed due to its impact on formulating perception of gender and race. Considering that intolerance and gender-based injustice still happens within our society, any discussion about gender and race portrayal, particularly through films, becomes urgent. The study aims at investigating how gender and race are portrayed in Cars trilogy. Gender portrayal is analysed through Beauvoir’s concept of immanence and transcendence and Finklea’s themes about masculinities. The portrayal of race is investigated using McLaren’s critical multiculturalism. The study uses the descriptive analytical interpretative method. The data analyzed are the characters, dialogue, and plot. The result shows that men and women are portrayed as equal but the stereotypes are still visible. Men are portrayed not only brave but also confident. Males’ romantic interest is manifested in heterosexual desire and male bosses are driven by profit. Women can be successful in racing if she dares to intervene the bureaucracy or is given opportunity by men. Different accent of English is seen as less capable and white characters are not always portrayed unproblematic.
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《汽车中的性别和种族描写》三部曲
作为商业上最成功的动画电影,由皮克斯动画工作室制作的《赛车总动员》三部曲之所以被选择进行分析,是因为它对性别和种族观念的形成产生了影响。考虑到不宽容和基于性别的不公正在我们的社会中仍然存在,任何关于性别和种族描绘的讨论,特别是通过电影,变得紧迫。这项研究旨在调查《赛车总动员》三部曲是如何描绘性别和种族的。通过波伏娃的内在性和超越性的概念以及芬克利关于男性气质的主题来分析性别塑造。使用麦克拉伦批判性的多元文化主义对种族的描绘进行了调查。本研究采用描述性分析解释方法。分析的数据包括人物、对话和情节。结果表明,虽然男女被描绘成平等的,但刻板印象仍然很明显。男人不仅勇敢而且自信。男性的浪漫兴趣表现在异性恋欲望上,男性老板受利益驱动。如果女性敢于干预官僚主义,或者从男性那里获得机会,她就能在比赛中取得成功。不同口音的英语被视为能力较差,白人角色也不总是被描绘得毫无问题。
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