Female Authorship in Modern Fiction: Stevie Smith’s Novel on Yellow Paper (1936) and the History of Fictional Women Writers

Q2 Arts and Humanities Authorship Pub Date : 2021-02-27 DOI:10.21825/authorship.63889
Ingo Berensmeyer
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引用次数: 1

Abstract

This article reads Stevie Smith’s Novel on Yellow Paper in the context of modernist literary authorship and against the historical background of scenarios of female authorship in British fiction. It focuses on strategies of women’s writing as embodied in Smith’s protagonist, Pompey Casmilus. In a period in which the category of “woman writer” was firmly associated with middlebrow sentimentality, Smith explores formal and material constraints on women as authors of fiction. In its diagnosis of the publishing world, the segregation of readerly tastes, and the constraints of established generic forms, Novel on Yellow Paper confronts the modern(ist) predicament of female authorship in novel ways.
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现代小说中的女作家:史蒂维·史密斯的《黄纸小说》(1936)与小说女作家史
本文以现代主义文学创作为背景,以英国小说中女性创作场景为历史背景,解读史蒂维·史密斯的《黄纸小说》。它关注的是史密斯笔下的主人公庞培-卡斯密卢斯所体现的女性写作策略。在“女作家”这一类别与中产阶级的多愁善感紧密联系在一起的时期,史密斯探索了女性作为小说作者的形式和物质限制。《黄纸小说》在对出版世界的诊断、读者品味的隔离以及既定的一般形式的约束下,以小说的方式直面了女性作者的现代困境。
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来源期刊
CiteScore
0.20
自引率
0.00%
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审稿时长
24 weeks
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