Seriously Comic Vision: “Hop-Frog” and the Book of Esther

IF 0.2 0 LITERATURE, AMERICAN Edgar Allan Poe Review Pub Date : 2023-02-18 DOI:10.5325/edgallpoerev.23.2.0209
Judith Ellen Anderson
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Abstract

Abstract:It is a “terrible” subject Poe admits in a letter to Annie Richmond about his latest story, “Hop-Frog.” It may seem surprising, therefore, to find that the book of Esther is an influential source for this tale and its subject. Yet, as this article argues, this biblical story’s footprints are discernable. Esther’s comedic characterizations, motifs, diction, and stylistic approaches reappear in Poe’s story, often with striking similitude. However, in accordance with his stated criteria for originality and his bent toward ironic opposition, Poe upends the biblical account. Esther’s story of heroic reversals aided by divine providence in a joyful triumph over monarchical oppression and death becomes a dark counternarrative of human madness and vengeance on a godless stage. The seriocomic vision in “Hop-Frog” retains the outlines and substance of its original source but in the form of a negative image with a distinctly original effect.
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严肃的漫画视觉:“跳蛙”和以斯帖记
摘要:爱伦·坡在给安妮·里奇蒙的一封信中承认,这是一个“可怕”的主题,关于他的最新故事《跳蛙》。因此,发现埃丝特的书是这个故事及其主题的一个有影响力的来源,似乎令人惊讶。然而,正如这篇文章所说,这个圣经故事的足迹是可以辨别的。埃丝特的喜剧特征、主题、措辞和风格手法在坡的故事中重现,往往具有惊人的相似性。然而,根据他所宣称的独创性标准和他对讽刺性反对的倾向,坡颠覆了圣经的叙述。埃丝特的故事讲述了在天意的帮助下,英雄般的逆转,愉快地战胜了君主的压迫和死亡,成为了人类在无神舞台上疯狂和复仇的黑暗反叙事。《跳蛙》中的系列视觉保留了其原始来源的轮廓和实质,但以具有明显原始效果的负面图像的形式出现。
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Edgar Allan Poe Review
Edgar Allan Poe Review LITERATURE, AMERICAN-
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期刊介绍: The Edgar Allan Poe Review publishes scholarly essays on and creative responses to Edgar Allan Poe, his life, works, and influence and provides a forum for the informal exchange of information on Poe-related events.
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