{"title":"A repertoire of touch in participatory choreography","authors":"Elvira Crois","doi":"10.1080/19443927.2023.2189883","DOIUrl":null,"url":null,"abstract":"Scenario one: The audience experiences choreography by watching. Touch is performed at the audience. Dancers touch their own bodies the bodies of fellow dancers the audience’s inner world via visual reception. Scenario two: The audience experiences choreography by moving their own body. Touch is performed with the audience. Dancers touch their own bodies the bodies of fellow dancers the audience’s inner world via physical proximity.","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theatre Dance and Performance Training","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19443927.2023.2189883","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 0
Abstract
Scenario one: The audience experiences choreography by watching. Touch is performed at the audience. Dancers touch their own bodies the bodies of fellow dancers the audience’s inner world via visual reception. Scenario two: The audience experiences choreography by moving their own body. Touch is performed with the audience. Dancers touch their own bodies the bodies of fellow dancers the audience’s inner world via physical proximity.
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