Feminist Protest and the Disruptive Address of Naked Bodies

Sandra Young
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引用次数: 3

Abstract

The strategies with which a new generation of feminist activists have made visible the impact of gender-based violence have rendered bodies legible in the public discourses that challenge the social norms of everyday life in post-apartheid South Africa. This article considers the implications of public nakedness for an understanding of precarity not only as a condition but also as a resource for the politics of resistance. It examines the testimonies of activists involved in the Fallist protests on university campuses in 2016, as well as some antecedents of this form of protest: the women who participated in the Dobsonville township protests of 1990 as seen in the documentary, Uku Hamba ‘Ze – To Walk Naked (Maingard, Meintjes and Thompson 1995), and the protest strategies adopted within the women’s peace movement in Liberia, as recounted in the documentary, Pray the Devil Back to Hell (Disney and Reticker 2008).
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女权主义者的抗议和对裸体的破坏
新一代女权主义活动家所采用的策略使基于性别的暴力的影响变得可见,在挑战种族隔离后南非日常生活的社会规范的公共话语中,这些策略使身体变得清晰。这篇文章考虑了公共裸体对于理解不稳定性的影响,它不仅是一种条件,也是一种抵抗政治的资源。它考察了积极分子参与的法度Fallist抗议2016年在大学校园,以及一些祖先的这种形式的抗议:Dobsonville乡抗议的妇女参加了1990年的纪录片,Uku Hamba“泽-赤身行走(汤普森Maingard Meintjes, 1995),和抗议策略采用在利比里亚妇女和平运动,在这部纪录片中,祈祷魔鬼送回地狱(迪斯尼和Reticker 2008)。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
9
期刊介绍: Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.
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