ANNUAL BIBLIOGRAPHY*

Abstract

Allan, Sarah. “The Taotie Motif on Early Chinese Ritual Bronzes.” In The Zoomorphic Imagination in Chinese Art and Culture, ed. Jerome Silbergeld and Eugene Yuejin Wang. Honolulu: University of Hawai‘i Press, 2016. Allard, Francis. “Globalization at the Crossroads: The Case of Southeast China during the Preand Early Imperial Period.” In The Routledge Handbook of Archaeology and Globalization, ed. Tamar Hodos. London; New York: Routledge, 2017. Bagley, Robert. “Ancient Chinese Bells and the Origin of the Chromatic Scale.” Zhejiang University Journal of Art and Archaeology 浙江大學藝術 與考古研究 2 (2015), 56–102. Bagley, Robert. Gombrich among the Egyptians and Other Essays in the History of Art. Seattle: Marquand Books, 2015. Bagley, Robert. “Erligang Bronzes and the Discovery of the Erligang Culture.” In Art and Archaeology of the Erligang Civilization, ed. Kyle Steinke, 19–48. Princeton: Princeton University Press, 2014. Bai, Yunxiang. “Two Eastward Migrations of Bronze Craftsmen in Ancient China Seen from the Bronze Daggers Unearthed at Sangrim-ri in South Korea and the Bronze Mirrors at Hirabaru Village in Japan,” trans. Rebecca O’Sullivan. Chinese Cultural Relics 3.1–2 (2016), 218–40. Beckman, Joy. “Standing at the Mouth of the Grave: Chariot Fittings in Eastern Zhou Burials.” Artibus Asiae 76.1 (2016), 81–110. Brindley, Erica. “Cultural Identity and the Canonization of Music in Early China.” Monumenta Serica 64.2 (2016), 255–75. Bush, Susan. “Labeling the Creatures: Some Problems in Han and Six Dynasties Iconography.” In The Zoomorphic Imagination in Chinese Art and Culture, ed. Jerome Silbergeld and Eugene Yuejin Wang. Honolulu: University of Hawai‘i Press, 2016.