The Sense of a Land – Two photographic encounters with the Nordic North through Walter Benjamin’s notion of history in now-time

Abstract

This article explores two works by Swedish artists Emanuel Cederqvist and Henrik Andersson that relate to the vast alpine areas of Norrland in the far north of Sweden. In both works, the artists relate their experiences of the area as it exists today as well as the layers of its history through both archival material and their own photographs. More specifically, both artists use material that show how the area was becoming an increaingly popular destination for researchers, explorers, and tourists in the beginning of the last century. Other archival material reveal aspects of military and colonial history as well as the history of the Sámi populations of the region. In the article, I explore these works and the multi-layered histories that they relate to with the help of Walter Benjamin’s version of historical materialism, in which history is approached through images in the present, rather than a narrative of events structured in chronological order. From this perspective, the history of the area is engaged with as physical and emotional, as well as cognitive, experiences, taking place in what Benjamin refers to as now-time, with associations that take off in many different directions.